As someone who works at the intersection of art and science, I have always found it easy to make the case that all artists are scientists. From the moment we pick up a crayon and make our first mark, we are experimenting.
A graph that plots rising CO2 over the decades has always been a lesser known icon in demonstrating the reality of global warming.
In honor of the spacecraft MESSENGER, which ends its mission today with a planned collision with Mercury, here’s a look back at the craft and its travels, as illustrated by Don Foley for the March 2011 issue of Scientific American.
News graphics professionals converged in Pamplona, Spain for the 23rd annual Malofiej Information Graphics World Summit for one week last month.
In the May issue of Scientific American, a familiar friend makes an appearance: a chart of fundamental particles. These particles—fermions (which include constituents of matter such as electrons and quarks) and bosons (usually carriers of force)—are at the very heart of the Standard Model of particle physics.
The May/June cover is a first for Scientific American MIND in that it features our first non-human cover boy - a very handsome 5 year old Border Collie named Ten!
When it comes to developing an illustrated information graphic, sometimes you don’t really know what sorts of details you’re going to need until you dive in and start drawing.
Sure, I was familiar with the graphic—and I’m not alone. Drop this image (right) on someone’s desk and chances are they’ll reflexively blurt, “Joy Division.” The band’s 1979 Unknown Pleasures album cover leaned entirely on a small mysterious data display, printed in white on black.
As a graphics designer, I have a love/hate relationship with circles. The humble form provides a relief from rigid rectangular chart structures that are pinned to x- and y-axes.
Every so often, beauty comes up as a topic of conversation in editorial meetings at Scientific American. Surely there’s an article, or series of articles that we can develop on the topic?
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