Designers Martin Krzywinski and Barbara Jeannie Hunnicutt provide a peek behind the scenes, and explain how they developed a data visualization based on bacterial genome information derived from dust.
The other day, while waiting at the registration desk for an event entitled “Visualizing Climate Change,” I met a data visualization developer from Bloomberg News.
What is visualization? When asked of data and information visualization professionals, answers will generally swirl around one of two punch lines…a visual tool that aids in (1) analysis or (2) communication of information.
Earlier this year, I reported the punchline of my quest to uncover the story behind the story of Joy Division’s Unknown Pleasures album cover.
Earlier this year, I learned that the founding editor of Scientific American Magazine, Rufus Porter, was an artist—an influential muralist and prolific portrait painter at that.
Although data visualization is often viewed as a fairly straightforward, dispassionate way of presenting facts, anyone who has studied the field knows that data-driven graphics can be hard to decipher, and are often far from impartial.
As someone who works at the intersection of art and science, I have always found it easy to make the case that all artists are scientists. From the moment we pick up a crayon and make our first mark, we are experimenting.
A graph that plots rising CO2 over the decades has always been a lesser known icon in demonstrating the reality of global warming.
In honor of the spacecraft MESSENGER, which ends its mission today with a planned collision with Mercury, here’s a look back at the craft and its travels, as illustrated by Don Foley for the March 2011 issue of Scientific American.
News graphics professionals converged in Pamplona, Spain for the 23rd annual Malofiej Information Graphics World Summit for one week last month.
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