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The Brain Takes the Stage: Neuroscience Gets Its Moment of Fame

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American


Science has its fads, just like Hollywood and toddlers with their plaything of the week.

Along these lines, the world at large has become obsessed with all things brain.

Neuroscience is undeniably fascinating. That’s why I jumped at the chance to make it my beat a few years ago.


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Amazing stuff has happened in the last few years as brain imaging and manipulation technologies have come to the fore.

Monkeys control computer cursors with brainwaves and optical signals piped into the gray matter of rodents can make them run in circles.

All amazing. But this is nothing new. More than 100 years ago, Santiago Ramón y Cajal came up with the “neuron theory” that communication between nerve cells takes place in inter-cellular gaps called synapses. That understanding has expanded in subsequent decades to form the basis of how we remember anything ranging from our keys to Kant's Transcendental Idealism. The Decade of the Brain (nominally, the 1990s) will, in truth, repeat over and over as we try to deduce the workings of the most complex machine anywhere this side of Alpha Centauri—and maybe anywhere this side of the Big Bang.

Like every fad, the current hype is overblown. Cute experiments wow us, but “actionable” knowledge still just trickles in. A new generation of memory-enhancing drugs is not at hand. And neural prostheses that make you into a chimera of human and robot are still the stuff of script writers.

That’s why I laughed when I started to see the reviews and commentary for a new book Brain Culture: Neuroscience and Popular Media. The premise is that we’ve gone off the deep end for neurotransmitters and spike trains. The iconic organ represents the illusion that we’ve gained a level of mastery over matter—that three-pound “meat machine”—that will let us leap tall buildings in a single bound.

The idea of Davi Johnson Thornton, assistant professor of Communication Studies at Southwestern University, to write a book about neuro-faddishness was nothing if not brilliant.

I just wish I had thought of it first.

 

 

Gary Stix, the neuroscience and psychology editor for Scientific American, edits and reports on emerging advances that have propelled brain science to the forefront of the biological sciences. Stix has edited or written cover stories, feature articles and news on diverse topics, ranging from what happens in the brain when a person is immersed in thought to the impact of brain implant technology that alleviates mood disorders like depression. Before taking over the neuroscience beat, Stix, as Scientific American's special projects editor, oversaw the magazine's annual single-topic special issues, conceiving of and producing issues on Einstein, Darwin, climate change and nanotechnology. One special issue he edited on the topic of time in all of its manifestations won a National Magazine Award. Stix is the author with his wife Miriam Lacob of a technology primer called Who Gives a Gigabyte: A Survival Guide to the Technologically Perplexed.

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