The many facets of science photography
Compare and contrast. Zooming in for greater detail: The same fly, the same pose, the same camera settings. All I changed was the background, and the difference in the animal’s appearance between the two photographs is immense.
A while back I wrote a feature for Ars Technica on the dysfunctional online copyright landscape. The piece was personal. My photographs average around $50 each to make, mostly in time, equipment, and travel costs.
Unless you live under a rock, you have likely seen the clean white natural history work of the Meet Your Neighbours project. And even if you do live under a rock, chances are one of the project’s members has found you, removed you to a plastic stage, and snapped a photo.
Symbiartic recently mentioned tagging science artists on Twitter as an easy way to give credit. Tagging the artist is a great idea, of course, but not everyone is on Twitter.
Every once and a while I stumble across a dusty forgotten folder on my hard drive, full of photos so old I don’t even remember taking them.
Compound Eye has been quiet of late. My silence is for a good cause, though! The past few months have been hectic as I transitioned from freelance photography in Illinois to a new job: Curator of Entomology at the University of Texas in Austin.
It’s a marvelous time to be a photographer. The blossoming tech industry has made us all kids in a candy shop, suddenly realizing the whole street is candy shops, on a street with peppermint cobblestones and licorice fountains.
When I lived in Tucson a few years back, I often wondered why a city even existed there. Modern Tucson is completely dry, save a few artificial ponds propped up for the golfing set.
This 2007 photograph of a fire ant brandishing her stinger is among the most heavily circulated images from my collection. Since several people have asked how I managed to coax the animal into such a dramatic pose, I bring you the following recipe.
“Why is it that an animal that is actively trying to kill us, such as a lion, gets more respect than one that is only trying to nibble on us a little, without causing much harm?” -Piotr Naskrecki Biologist Piotr Naskrecki, who traveled with me to Belize last year, returned home to find himself incubating [...]
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Compare and contrast. Zooming in for greater detail: The same fly, the same pose, the same camera settings. All I changed was the background, and the difference in the animal’s appearance between the two photographs is immense.
ReadA while back I wrote a feature for Ars Technica on the dysfunctional online copyright landscape. The piece was personal. My photographs average around $50 each to make, mostly in time, equipment, and travel costs.
Read
Unless you live under a rock, you have likely seen the clean white natural history work of the Meet Your Neighbours project. And even if you do live under a rock, chances are one of the project’s members has found you, removed you to a plastic stage, and snapped a photo.
Read
Symbiartic recently mentioned tagging science artists on Twitter as an easy way to give credit. Tagging the artist is a great idea, of course, but not everyone is on Twitter.
Read
Every once and a while I stumble across a dusty forgotten folder on my hard drive, full of photos so old I don’t even remember taking them.
Read
Compound Eye has been quiet of late. My silence is for a good cause, though! The past few months have been hectic as I transitioned from freelance photography in Illinois to a new job: Curator of Entomology at the University of Texas in Austin.
Read
It’s a marvelous time to be a photographer. The blossoming tech industry has made us all kids in a candy shop, suddenly realizing the whole street is candy shops, on a street with peppermint cobblestones and licorice fountains.
Read
When I lived in Tucson a few years back, I often wondered why a city even existed there. Modern Tucson is completely dry, save a few artificial ponds propped up for the golfing set.
Read
This 2007 photograph of a fire ant brandishing her stinger is among the most heavily circulated images from my collection. Since several people have asked how I managed to coax the animal into such a dramatic pose, I bring you the following recipe.
Read“Why is it that an animal that is actively trying to kill us, such as a lion, gets more respect than one that is only trying to nibble on us a little, without causing much harm?” -Piotr Naskrecki Biologist Piotr Naskrecki, who traveled with me to Belize last year, returned home to find himself incubating [...]
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