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Posts Tagged "oil painting"

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What Can We Learn From Renaissance Vegetables?

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Just throwing this out there. Has there been an attempt to track the meandering flow of selective breeding of fruits, vegetables and flowers by using still life paintings since the Renaissance? Are any vegetables significantly different in say, these face illusions by Giuseppe Arcimboldo (~1526-1593) than they would appear now? According to the Carrot Museum, [...]

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Father Time Overcome by Hope, Love and Beauty

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It is not enough to see the ugliness of 2014 overcome by the grind of time and the ball drop of New Year’s Eve. We should want the exhausting and terrible year to be overcome by memories of 2014′s hope, love and beauty, just as in this Baroque era painting by French artist Simon Vouet. [...]

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Paintings under an iPhone Olloclip

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I can’t help myself. I take a lot of pictures using my macro lenses on my Olloclip for iPhone. Leaves, snow, thistles and teasels, rocks and skin. The Olloclip company makes a number of slide-on lenses for smartphones, and a few months ago my wife got me the 4-in-1 Olloclip as gadget-based medicine for my [...]

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Symbiartic

Pinch of Pigment: Can Black Paint be Vegan?

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Vegan, but not edible. [Photo by the author] A surprising amount of art can be made by tools that have been burnt in a fire. Willow or vine charcoals are made from charred willow or vine branches. Verona Brown is the ancient pigment Terre Verte after being exposed to high heat. And there are paints [...]

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Looking Back on 30 Science Artists in 30 Days

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For three years now we have been celebrating science artists here on Symbiartic. Every September we have stepped it up a notch to feature a different science artist each day in our September SciArt Blitz. In case you missed any of them, here is a visual summary of the 2014 SciArt Blitz artists (click on [...]

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Pinch of Pigment: Ultramarine

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The Virgin in Prayer, 1640-50, by Sassoferrato. National Gallery, UK. When I write these Pinch of Pigment posts, alternate, catchier titles come to mind. This one could be called “Why Blue is a Girl’s Colour” or “The Economics of Symbols”. Ultramarine Blue is one of the most important pigments in Western fine art history. And [...]

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ScienceArt Exhibits Heat Up This Summer

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Take a break from the heat this summer to step into some cool galleries exhibiting scienceart. If the exhibits keep pouring in at this rate, I’ll have to split up this post by region. There are five scienceart exhibits in New York alone! But for those of you who are not in the NY-region, don’t [...]

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Learning the Art of Science Illustration

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If you’ve ever wondered what it would take to combine your love of science and art, there is a conference on the horizon that might just be the inspiration you’ve been waiting for. This summer in Boulder, CO, the Guild of Natural Science Illustrators is hosting its annual conference and it is not to be [...]

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For Admirers of Audubon & Sibley, Two Recurring Art Exhibits

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If you appreciate John J. Audubon’s exacting detail and beautiful compositions and you marvel at the encyclopedic knowledge and delicate illustrations in the famous Sibley Bird Guides you may be interested to know that there are many contemporary masters following in their footsteps today. Their names may be less well-known, but their work is equally [...]

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Symbiartic

Pinch of Pigment: Cobalt Blue

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Cobalt Blue is a fascinating colour with a much longer history than many pigments in use today. It’s also the only goblin hiding in the Periodic Table. Cobalt, is symbol Co on the periodic table with an atomic weight of 27. While in it’s natural, raw state it’s a somewhat burnished silver colour, it is [...]

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