Once again, paleo-illustrators are being alienated from a movie they could probably love. At least a few paleo-illustrators are discovering their work has been put up on the Jurassic World “as-if-it-was-a-real-park” promotional website without their permission.
Stock photography giant Getty Images took a gamble yesterday, releasing 35 million files for free non-commercial and editorial uses. Images are served in a YouTube-style embedder that displays a credit and links back to the licensing page at Getty.
If you’ve ever wondered what it would take to combine your love of science and art, there is a conference on the horizon that might just be the inspiration you’ve been waiting for.
Update: GoldieBlox have re-released the ad without the Beastie Boys parody and want to be BFF. Here’s the non-”let’s fight for our right to party” version of the Girls video.
Because you asked, these are real letters I have sent to people found using my photographs inappropriately. 1. The standard DMCA takedown I send about a dozen of these per week, usually to the web hosts of small pest control companies.
“If you don’t want people to share your photo, don’t put it on the internet.” -vast numbers of people on the internet, 1995-2013 This refrain is among the most common threads in the great internet copyright wars.
Symbiartic recently mentioned tagging science artists on Twitter as an easy way to give credit. Tagging the artist is a great idea, of course, but not everyone is on Twitter.
In honor of January 1st being Public Domain Day, I am releasing a few of my older images from copyright: These images are now available for all uses, including commercial use, without the need for attribution or permission.
Last week on Twitter and Facebook, I leveled criticisms at particular sites and railed against improper image use in science communication.
Here is a hypothetical copyright situation where Creative Commons, Fair Use, and Open Access collide in an unusual way to suppress the spread of information.
The full set- plus a few photos I released last year- are in my public domain gallery. They have also been uploaded to Wikimedia Commons under a CC0 public domain license.
Last week Getty announced that they would release 35 million of their copyrighted images for editorial and commentary use with a handy embed tool.
[The following piece is a modified repost from 2013] Every year, on the first of January, copyrights on certain older creative works expire and the works pass into the public domain.
Since Bora Zivkovic first asked me to moderate a session back at ScienceOnline 2009, I’ve been hoping to instill the importance of imagery into the wider science communication conversation.
When I see some amazing art posted on Twitter without attribution to the creator, especially by someone in science communication, I kind of lose it.
Understanding copyright law is essential for visual artists. At the Guild of Natural Science Illustrator’s conference last week in Boulder, CO Viva Moffat ran a workshop on contracts and copyright which was packed to the gills.
Teachers Pay Teachers is a freewheeling online market where entrepreneurial educators sell lesson plans, powerpoints, and other didactic materials to each other.
Credit is Due (The Attribution Song) by Question Copyright and artist-in-residence Nina Paley with Bliss Blood on vocals. By pairing an important message with a catchy tune, the point sticks with you far longer than a © symbol will.
Every year, on the first of January, copyrights on certain older creative works expire and the works pass into the public domain. In 2014, for example, a selection of pieces by writer Beatrix Potter and composer Sergei Rachmaninoff will, in some countries,become open for anyone to use, for any purpose, without prior permission.
The answer can be found in this recent report from the U.S. copyright office: …federal court is effectively inaccessible to copyright owners seeking redress for claims of relatively low economic value, especially individual creators who are of limited resources.