“If you think Humans are destroying the planet in a way that’s historically unprecedented, you’re suffering from a species-level delusions of grandeur.” -Annalee Newitz, Scatter Adapt, and Remember Perhaps it’s having a 3 month old baby in the house (our second), but I’ve been thinking about the apocalypse more than normal.
This is the story of the evolution of life on earth during one photon’s journey across the universe. Told by Saul Perlmutter who shared the 2011 Nobel Prize in physics for the discovery of the accelerating expansion of the universe.
With cold and flu season upon us and cooler weather increasingly pushing us indoors, it’s time to remind ourselves how to stay healthy.
This week, the only dedicated science illustration conference in the country is taking place in Boulder, CO. The Guild of Natural Science Illustrators’ annual gathering is in full swing and there are fascinating developments to convey.
Simulating a single spiraling hair strand may prove a boon to computer animators
THIS is good scicomm. Why? Well, for many reasons – good writing, good sound, good editing – but by far the most apparent, the reason most people will sit up and take note is because of the strong visuals.
Best viewed at 1080p In addition to creating science-art and blogging here on Symbiartic, I work at INVIVO Communications in QA and social media. One of the absolute treats in my day to day job is getting to watch gorgeous 3D animation about health, pharmaceutical mechanisms of action and medical devices.
Radioastronomer Robert Wilson recalls a pair of pigeons who almost thwarted the discovery of cosmic background radiation. Wilson’s discovery—“the echo of the big bang”—earned him a share of the 1978 Nobel Prize in Physics.
Today is World Asthma Day. Started by the Global Initiative for Asthma, I thought World Asthma Day would be a great time to share a detail from a series of key frames being produced by the animation team at INVIVO Communications, where I work.
500 years ago, artist and engraver Albrecht Dürer took the time to carefully and meticulously paint the >Great Piece of Turf. In both the Northern and Southern European Renaissance, studies in preparation of a larger painting were not uncommon.
Lifelike robots and animations can elicit a response that’s somewhere between uncomfortable and creeped out. Scientific American editor Larry Greenemeier explains why in our latest Instant Egghead video: More to explore: What Should a Robot Look Like?
Credit is Due (The Attribution Song) by Question Copyright and artist-in-residence Nina Paley with Bliss Blood on vocals. By pairing an important message with a catchy tune, the point sticks with you far longer than a © symbol will.