July 29, 2014 | 1
Botanical art has some conventions that have helped the practice remain accurate and disciplined: portions of the plants painted in isolation on white backgrounds; often 1:1 in size with the real plant; typically in watercolour for the range of colours (Opera Pink, anyone?) and known factors in preservation.
After seeing these works-in-progress by Mieke Roth, I find myself wondering why more of it doesn’t look like this:
You can also view this one on SketchFab, in Roth’s 3D portfolio.
About the works, Mieke told me
There is only one thing, but that is me being a perfectionist: the illustration (Ceropegia sandersonii) as is isn’t correct yet. I did a lot of work on the flower itself and that one I made sure to be correct, and on the materials and such, but the twig and stem it is on are not entirely correct. Those I did more on how I wanted it to “feel”. And regarding the black background: I actually find it very effective with botanical renders. And the funny thing is that most of the time I do prefer white backgrounds!
I feel quiet, sacred wonder seeing these organic forms floating and illuminated in blackness. Like stained glass in a darkened cathedral. I love it. As soon as I saw these in her Twitter feed, I knew I had to share them here on Symbiartic.
You may also enjoy:
Ultimate Croc Anatomy!
Get 6 bi-monthly digital issues
+ 1yr of archive access for just $9.99