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Tom Stoppard’s absurdist play Rosencrantz and Guildenstern Are Dead begins with one of them, Guildenstern (or is it Rosencrantz?), flipping coins.
This week at Nautilus, I wrote about two recent papers aimed at unwinding the Mystery of Namibia’s Natural Crop Circles. And while the official publication date isn’t until January 28, Jen-Luc Piquant was psyched to receive the bound galleys of my new book: Me, Myself and Why: Searching for the Science of Self.