I’m a bit obsessed with Scientific American covers, but my knowledge of the archive during the years before my time on staff is broad rather than deep.
The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death.
The latest project of photographer Laurie Simmons, who has previously portrayed life-like dolls in everyday poses, features live subjects with doll gazes.
According to science comic, xkcd, the answer is no: For the past 25 days, we have been showing off a different artist each day who is working at the intersection of science and art.
Synthetic Aesthetics is a project that brings together artists, designers, engineers, biologists, and social scientists to investigate the design of living things.
Artist: Darren Naish Source: Monitor musings, varanid variables, goannasaurian goings-on... it's about monitor lizards, by Darren Naish on Tetrapod Zoology If you’re not a herpetologist, you may be of the mindset that lizards all look the same, but that would only expose you for what you are: a human primate, finely attuned to the faces [...]
This happens more often than you’d think: You tell someone you are an illustrator. They ask you a few questions and then get to what’s really on their mind: “So, do you do all your work on the computer or do you draw everything by hand?” When you respond that you do some (or all) [...]
I’ve recently been working on a new project with Ellie Harmon about dirt. Ellie hiked the Pacific Crest Trail last year, the 2,663 miles from the US border with Mexico to the border of Canada.
Cheese is a fascinating model for studying the intersection of human and microbial cultures. My project with Sissel Tolaas explores these connections through the process of making cheese using microbes sampled from the human body.
The number of exhibits combining science and art in some capacity has grown steadily since I began blogging about them in 2011. With exhibits in galleries and museums across the country, there’s something for everyone.
One of the most inspired design studios working at the intersection of science, art, and technology today is Nervous System, a Massachusetts-based team led by Jessica Rosenkrantz and Jesse Louis-Rosenberg.
There is an intersection of art, science and engineering in the works of Lego artist Nathan Sawaya, whose "Art of the Brick" traveling show I visited last weekend at the Discovery Times Square Museum in New York (the exhibition closed Sunday).
It would be easy enough to photoshop a geometric pattern onto an image of a waterfall, and if that was how this image had been created I would still have nodded in appreciation of the originality and execution.
I havent read Jane Austen, Game Theorist and Im definitely not going to after reading William Deresiewiczs scathing review in the New Republic.
One of the great wonders of life is watching the leaves change colors in the fall. When temperatures get cool, chlorophyll begins to break down revealing the underlying pigments in the plants’ sap.
When illustrators embark upon a new illustration, hours of research and work go into constructing a scene that is believable, powerful, and informative.
Have you ever wondered who illustrates the murals at our beloved museums, zoos, aquariums, and botanical gardens? Marjorie Leggitt is one such person.
Think of the last time you were in the presence of something really old. Was it a cherished possession of one of your family members? Was it a used book or antique that spoke to you from a dusty hole-in-the-wall shop?
If you’re like me, you’ve always wanted Ernst Haeckel in your house. Well, not literally Ernst Haeckel, the great 19th century biologist (although that would be cool, in alive form).
One of the most astonishing illustrated books to come out this year is the work of Katrina van Grouw, an ornithologist and fine artist who counts taxidermy among her eclectic skills.